
Charles Chaplin, 1925. Chaplin fans have said how mesmerized they are by this shot. How could you not be? This kind of filmmaking is ageless.
Charles Chaplin, 1925. Chaplin fans have said how mesmerized they are by this shot. How could you not be? This kind of filmmaking is ageless.

Charles Chaplin, 1925. Chaplin fans have said how mesmerized they are by this shot. How could you not be? This kind of filmmaking is ageless.

Fritz Lang, 1927. The version I watched was just way too long, but this scene is unforgettable.

King Vidor, 1925. John Gilbert is magnetic. And for the first time in silent cinema I believe two people are in love. It’s no wonder this was the highest grossing silent, it has everything.

Sergei M. Eisenstein, 1925. One of the many searing images from this film. You don’t forget faces like this.



Rupert Julian and Lon Chaney, 1925. Chaney is a horrific success, but I can’t stop staring at this still frame from the brief sequence in Technicolor. It makes the film seem so strangely modern.